Clarinet Ensemble Music Wiki

User Tools

Site Tools

Trace: • six_duos_for_two_clarinets • quartuor_de_clarinettes • bagatelle
trio_1997

Differences

This shows you the differences between two versions of the page.

Link to this comparison view

Both sides previous revision Previous revision
Next revision 		Previous revision
trio_1997 [2016/01/18 22:31]
admin 		trio_1997 [2017/11/27 14:23] (current)
Line 1: Line 1:
 **Work** : Trio (1997)  **Work** : Trio (1997) 
 ---- ----
-**Composer** : Alfred Prinz+**Composer** : Alfred Prinz [[https://en.wikipedia.org/wiki/Alfred_Prinz]]
 ---- ----
-**Difficulty Ranking** : VI+**Difficulty Ranking** : [[vi|VI]]
 ---- ----
 **Publisher**: Woodwindiana, Inc. **Publisher**: Woodwindiana, Inc.
Line 15: Line 15:
 **Potential Pedagogical Applications** : Articulation and phrase matching, ensemble blend and mechanics, mixed ensemble intonation, intonation (chordal, octave, unison), auxiliary instruments (requires bass clarinet to low D), expansive ranges for all instruments, frequent meter changes **Potential Pedagogical Applications** : Articulation and phrase matching, ensemble blend and mechanics, mixed ensemble intonation, intonation (chordal, octave, unison), auxiliary instruments (requires bass clarinet to low D), expansive ranges for all instruments, frequent meter changes
 ---- ----
-**Sample Recording** : +**Sample Recording** : [[http://store.woodwindiana.com/alprtr1ebbbc.html]]
 ---- ----
-**Where to Purchase Sheet Music** :+**Where to Purchase Sheet Music** : [[http://store.woodwindiana.com/alprtr1ebbbc.html]]
 ---- ----
 **Annotation**: This three movement trio moves through three distinct moods: a furious and fast first movement, a tranquil second movement, and finally a raucous tango third movement. Technical demands of the final movement are perhaps the highest, but the other movements also require ensemble precision in articulation and hocketing. In many cases, the composer requires the ensemble to play at pp dynamics while also playing high in their ranges, particularly in the first movement. Additionally, the bass clarinet must have the ability to play to low D. **Annotation**: This three movement trio moves through three distinct moods: a furious and fast first movement, a tranquil second movement, and finally a raucous tango third movement. Technical demands of the final movement are perhaps the highest, but the other movements also require ensemble precision in articulation and hocketing. In many cases, the composer requires the ensemble to play at pp dynamics while also playing high in their ranges, particularly in the first movement. Additionally, the bass clarinet must have the ability to play to low D.
 ---- ----
 {{:prinz_trio_1997.png?nolink|}} {{:prinz_trio_1997.png?nolink|}}
trio_1997.1453181462.txt.gz · Last modified: 2017/11/27 14:21 (external edit)

Page Tools

Except where otherwise noted, content on this wiki is licensed under the following license: CC Attribution-Share Alike 4.0 International
CC Attribution-Share Alike 4.0 International Donate Powered by PHP Valid HTML5 Valid CSS Driven by DokuWiki