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- | Quartet No. 1 by Sean Osborn | + | **Work** : Quartet No. 1 |
+ | ---- | ||
+ | **Composer** : Sean Osborn [[http:// | ||
+ | ---- | ||
+ | **Difficulty Ranking** : [[v|V]] | ||
+ | ---- | ||
+ | **Publisher** : Theodore Presser Company | ||
+ | ---- | ||
+ | **Year Published** : 2000 | ||
+ | ---- | ||
+ | **Instrumentation** : 4 Bb Clarinets | ||
+ | ---- | ||
+ | **Potential Pedagogical Applications** : Articulation matching, intonation (octave, unison, and | ||
+ | chordal), ensemble mechanics, phrase matching and handoffs, tone blend, six-eight | ||
+ | time, other unusual meters, modal writing (dorian in movement four), wide leaps, hocketing | ||
+ | ---- | ||
+ | **Sample Recording** : [[https:// | ||
+ | ---- | ||
+ | **Where to Purchase Sheet Music** : [[http:// | ||
+ | ---- | ||
+ | **Annotation** : This four movement work by clarinetist | ||
+ | characters. The writing is highly individualistic, | ||
+ | adequate individual preparation. The range of the work extends to G 4 and is evenly spread | ||
+ | between the four parts. The work’s hocketing is also challenging as it requires consistent internal | ||
+ | rhythm. The final movement is written in dorian mode, offering an opportunity to support this | ||
+ | concept through repertoire. | ||
+ | ---- | ||
+ | {{: |