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- | **Work** : Quartet No. 1 | + | |
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- | **Composer** : Sean Osborn | + | |
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- | **Difficulty Ranking** : [[v|V]] | + | |
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- | **Publisher** : Theodore Presser Company | + | |
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- | **Year Published** : 2000 | + | |
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- | **Instrumentation** : 4 Bb Clarinets | + | |
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- | **Potential Pedagogical Applications** : Articulation matching, intonation (octave, unison, and | + | |
- | chordal), ensemble mechanics, phrase matching and handoffs, tone blend, six-eight | + | |
- | time, other unusual meters, modal writing (dorian in movement four), wide leaps, hocketing | + | |
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- | **Sample Recording** : | + | |
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- | **Where to Purchase Sheet Music** : | + | |
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- | **Annotation** : This four movement work by clarinetist Sean Osborn features many different | + | |
- | characters. The writing is highly individualistic, | + | |
- | adequate individual preparation. The range of the work extends to G 4 and is evenly spread | + | |
- | between the four parts. The work’s hocketing is also challenging as it requires consistent internal | + | |
- | rhythm. The final movement is written in dorian mode, offering an opportunity to support this | + | |
- | concept through repertoire. | + | |
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