This shows you the differences between two versions of the page.
Both sides previous revision Previous revision Next revision | Previous revision | ||
prelude_and_scherzo [2016/01/16 22:18] admin |
prelude_and_scherzo [2017/11/27 14:23] (current) |
||
---|---|---|---|
Line 3: | Line 3: | ||
**Composer** : David Bennett | **Composer** : David Bennett | ||
---- | ---- | ||
- | **Difficulty Ranking** : III | + | **Difficulty Ranking** : [[iii|III]] |
---- | ---- | ||
**Publisher** : Carl Fischer | **Publisher** : Carl Fischer | ||
Line 14: | Line 14: | ||
chordal), ensemble mechanics (frequent tempo transitions and fermati), phrase matching, solo | chordal), ensemble mechanics (frequent tempo transitions and fermati), phrase matching, solo | ||
passages, tone development and blend, cut-time | passages, tone development and blend, cut-time | ||
+ | ---- | ||
+ | **Sample Recording** : [[https:// | ||
+ | ---- | ||
+ | **Where to Purchase Sheet Music** : OUT OF PRINT (Use Interlibrary Loan) | ||
---- | ---- | ||
**Annotation** : Prelude and Scherzo places the majority of the solo melodic content in the hands of the first clarinet player. The solos are mostly organized similar to the concept of operatic recitative, in which the first clarinet player plays a cadenza-like passage while the other players sustain long notes. The work is through composed with various tempo transitions builtin. The range extends to G 4 in the first Bb clarinet, but remains primarily in the the chalumeau and clarion registers in the other three parts. | **Annotation** : Prelude and Scherzo places the majority of the solo melodic content in the hands of the first clarinet player. The solos are mostly organized similar to the concept of operatic recitative, in which the first clarinet player plays a cadenza-like passage while the other players sustain long notes. The work is through composed with various tempo transitions builtin. The range extends to G 4 in the first Bb clarinet, but remains primarily in the the chalumeau and clarion registers in the other three parts. | ||
---- | ---- | ||
+ | {{: |