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- | **Work** : Monstress | + | |
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- | **Composer** : Theresa Martin | + | |
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- | **Difficulty Ranking** : [[vi|VI]] | + | |
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- | **Publisher** : Potenza Music | + | |
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- | **Year Published** : 2011 | + | |
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- | **Commission** : 10th and Broadway Clarinet Quartet | + | |
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- | **Instrumentation** : 3 Bb Clarinets and 1 Bass Clarinet | + | |
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- | **Potential Pedagogical Applications** : Articulation matching, intonation (octave, unison, and | + | |
- | chordal), ensemble mechanics, phrase matching and handoffs, solo passages, extensive range (c1 | + | |
- | capable bass clarinet required), highly chromatic writing | + | |
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- | **Sample Recording** : | + | |
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- | **Where to Purchase Sheet Music** : | + | |
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- | **Annotation** : Composer Martin described the inspiration of this work as a seductive monster | + | |
- | capable of creating a spinning vortex. The six minute work features almost constant running or | + | |
- | articulated sixteenth notes, which can become very tiring at the tempo marking of quarternote | + | |
- | equals 120. The range of the work extends down to C 1 in the bass clarinet and up to Bb 4 in the | + | |
- | Bb clarinets. This individualistic writing and range are the most challenging aspects of this piece. | + | |
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