This shows you the differences between two versions of the page.
trio [2016/01/18 20:33] admin |
trio [2017/11/27 14:23] |
||
---|---|---|---|
Line 1: | Line 1: | ||
- | **Work** : Trio | + | |
- | ---- | + | |
- | **Composer** : Mattias Bamert | + | |
- | ---- | + | |
- | **Difficulty Ranking** : V | + | |
- | ---- | + | |
- | **Publisher** : European American Music Corporation | + | |
- | ---- | + | |
- | **Year Published** : 1981 | + | |
- | ---- | + | |
- | **Commissioned by** : Staatlicher Musikkredit Basel | + | |
- | ---- | + | |
- | **Instrumentation** : 1 Bb Clarinet, 1 A Clarinet, 1 Bass clarinet | + | |
- | ---- | + | |
- | **Potential Pedagogical Applications** : Mixed ensemble intonation, hocketing passages, highly | + | |
- | independent part writing, extreme soft dynamics, ensemble communication and blend | + | |
- | ---- | + | |
- | **Sample Recording** : | + | |
- | ---- | + | |
- | **Where to Purchase Sheet Music** : | + | |
- | ---- | + | |
- | **Annotation** : Bamert spent the majority of his career as a conductor, but did study composition | + | |
- | with modern greats Pierre Boulez and Karlheinz Stockhausen. This work is mostly unknown, | + | |
- | perhaps due to its mixed instrumentation and difficult ensemble writing. The hocketing of the | + | |
- | parts is the most challenging aspect of this work and it requires an ensemble with great | + | |
- | communication and listening abilities. The dynamics are primarily soft to very soft and will also | + | |
- | cause additional challenges with intonation for the players. | + | |
- | ---- | + | |
- | {{: | + |