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- | **Work** : Ten Klezmer Duos | + | |
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- | **Composer** : Mike Curtis | + | |
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- | **Difficulty Ranking** : [[iii|III]] | + | |
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- | **Publisher** : Advance Music | + | |
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- | **Year Published** : 1996 | + | |
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- | **Instrumentation** : 2 Bb Clarinets | + | |
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- | **Potential Pedagogical Applications** : Intonation (interval, unison, octave), articulation and phrase matching, ensemble mechanics, idiomatic klezmer style (ornamentation, | + | |
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- | **Sample Recording** : | + | |
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- | **Where to Purchase Sheet Music** : | + | |
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- | **Annotation** : Composer Mike Curtis has written many works showcasing his knowledge of the | + | |
- | genre of klezmer. This collection of ten duos presents the various dance styles utilized | + | |
- | traditionally in the style such as doina, freylach, tanz, and bulgar. Each duo has written basic | + | |
- | ornaments such as trills and grace notes, but the composer encourages performers to learn to add | + | |
- | the other fundamental ornaments of klezmer music in their performances. As such, this | + | |
- | collection can be used as a teaching utility for klezmer music in general. The range of the duos to | + | |
- | E4 , but in frequently in klezmer, the second occurrence of melodic material should be raised an | + | |
- | octave. This will require a wider range, but isn’t required in the performance of the duos, it is | + | |
- | merely a performance practice suggestion. | + | |
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