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3_latin_dances_no.3:dansa_latino_di_maria_del_real [2016/01/18 23:25] admin |
3_latin_dances_no.3:dansa_latino_di_maria_del_real [2017/11/27 14:29] |
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- | **Work** : 3 latin dances no.3: Dansa Latino di Maria del Real | + | |
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- | **Composer** : Patrick Hiketick | + | |
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- | **Difficulty Ranking** : [[:v|V]] | + | |
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- | **Publisher**: | + | |
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- | **Year Written** : 2003 | + | |
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- | **Instrumentation** : 3 Bb Clarinets & Bass Clarinet (in bass clef) | + | |
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- | **Potential Pedagogical Applications** : Intonation (interval, unison, octave), articulation matching, | + | |
- | ensemble mechanics (cuing and tempo transitions), | + | |
- | clarinet to low c), bass clef reading (bass clarinet), Latin style (syncopated rhythms) and | + | |
- | harmonic content, solo passages (difficult bass clarinet solo), frequent metric shifts, unusual | + | |
- | meters, hocketing | + | |
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- | **Sample Recording** : | + | |
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- | **Where to Purchase Sheet Music** : | + | |
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- | **Annotation** : Danza Latino di Maria del Real is the final work in the set of 3 Latin Dances by | + | |
- | Patrick Hiketick. The work is longer than the other two in the collection and the most difficult. | + | |
- | Hiketick extends the range of the Bb clarinet to A 4 and employs frequent sections of hocketing | + | |
- | between the players. There are also consistent passages of offbeats, which can prove to be | + | |
- | difficult for players with weak internal rhythm. As with the Merengue , this movement is quite | + | |
- | challenging for the second clarinetist. In addition to its being in bass clef and extending to C 1 , the | + | |
- | bass clarinet part features an extended solo that consists of fast repeated triplets that span the | + | |
- | entire range of the instrument. | + | |
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