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| - | 5 Huapangos | + | **Work** : 5 Huapangos |
| + | ---- | ||
| + | **Composer** : Mike Curtis | ||
| + | ---- | ||
| + | **Difficulty Ranking** : [[iii|III]] | ||
| + | ---- | ||
| + | **Publisher** : MSS Publishing | ||
| + | ---- | ||
| + | **Dedication** : Carol Robe | ||
| + | ---- | ||
| + | **Year Published** : 2004 | ||
| + | ---- | ||
| + | **Instrumentation** : 1 Bb Clarinet and 1 Bass Clarinet | ||
| + | ---- | ||
| + | **Potential Pedagogical Applications** : Intonation (interval, unison, octave), articulation matching, | ||
| + | ensemble mechanics, metric shifts, bass clarinet solo lines, Latin style | ||
| + | ---- | ||
| + | **Sample Recording** : [[https:// | ||
| + | ---- | ||
| + | **Where to Purchase Sheet Music** : [[https:// | ||
| + | ---- | ||
| + | **Annotation** : Though 5 Huapangos is a grade III work, it is highly accessible. The work is one of | ||
| + | the few for clarinet and bass clarinet with a range this compact (it has only one note above C4, a | ||
| + | G4 on the very last note, which can easily be taken down an octave by the student). The tempo | ||
| + | markings indicate that the work should be played in one, but again, this can be adjusted for the | ||
| + | students’ levels. Each movement is separated by a solo bass clarinet interlude before moving on | ||
| + | to the next movement attaca. | ||
| + | ---- | ||
| + | {{: | ||